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The Jellyman's Daughter

by The Jellyman's Daughter

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  • Compact Disc (CD) + Digital Album

    The Jellyman's Daughter's debut album on compact disc just like in the good old days!

    Comes in a lovely 3-fold Digipak, complete with full-colour lyric booklet.

    Photography: Graeme MacDonald www.graemephotography.com
    Design: The Art Department www.artdepartment.co.uk

    Includes unlimited streaming of The Jellyman's Daughter via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £10 GBP or more 

     

1.
Blue Lullaby 05:00
Oh lonely morning, ease my mind Darkness hold me Guilty bodies intertwined I won't be waiting around Run into the high water Such a beautiful way to die I won't get no peace until I dive into the deep blue lullaby My old friend please help me sleep Darkness hold me Under cover, breathe in deep I won't be waiting around Run into the high water Such a beautiful way to die I can't get no peace until I dive into the deep blue lullaby I'm all out of fire, as I fall down to my knees Follow my desire, take my sorrow to the sea I'm all out of fire, as the sun goes down on me Give in to desire, take my sorrow to the sea
2.
I can never win, now you're underneath my skin How was I to know that I'd grown old Seems a simple smile goes down nicely for a while But I guess it's out of my control I don't know how you'd be safe at all Who will you turn to when you need it? I'll be waiting for the day you crawl Back to the one you're leaving Take a little time, and when making up your mind Remember there's no one like me Once you heard me say I'd never let you get away But I guess it's out of my control I don't know how you'd be safe at all Who will you turn to when you need it? I'll be waiting for the day you crawl Back to the one you're leaving Don't forget to find one you always had in mind Go fall on your face Had I known that you'd outgrown me I'd have known my place I don't know how you'd be safe at all Who will you turn to when you need it? I'll be waiting for the day you crawl Back to the one you're leaving
3.
There's a song won't come back to me Now it plays in the corners of my memory A song that once kept me awake Now I sleep alone and still I shake Come back to me There's a long yawn between the days We are quiet now and well behaved A bright a beautiful display Gone are our younger days, carried away Come back to me There's a song won't come back to me Now it plays in the corners of my memory A song that once kept me awake Now I sleep alone and still I shake Come back to me
4.
Anna 03:11
Anna, won't you come out to play You know it's been a long day Anna, I've got so much to say Are you getting here soon? I don't want to talk about it anymore Sitting here alone just don't feel right Do you want to give in? Because I want to be right by your side Troubles that you don't like to hide You wear them on the outside Troubles that play on your mind Just let them go I don't want to talk about it anymore Sitting here alone just don't feel right Do you want to give in? Because I want to be right by your side Anna (Oh you stand your ground) You know it's been a long day
5.
6.
Carolina 02:41
7.
Slow Burn 04:26
8.
9.
Seeing Red 03:44
10.
Little Child 04:45
11.

about

The debut album from The Jellyman's Daughter!

credits

released September 24, 2014

All songs written and arranged by The Jellyman's Daughter, with the exception of 'Can't Buy Me Love' written by Lennon/McCartney, and 'Darling Corey', which is a traditional tune.

Emily Kelly - Vocals, Guitar
Graham Coe - Vocals, Cello, Guitar
Jenny Hill - Double bass
Gerry Kelly - Banjo on 'The One You're Leaving' and 'Come Back to Me'
Pete Coutts - Mandolin on 'Slow Burn' and 'Little Child'
Natalie Brown - Violin on 'Slow Burn' and 'Little Child'
Cera Impala - Banjo, Vocals on 'Anna'
Dirk Ronneburg - Fiddle on 'Anna'

Mixed by Garry Boyle at The Depot, Edinburgh
Mastered by Andrew Mitchell at Audio Bay

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The Jellyman's Daughter Edinburgh, UK

Scottish duo The Jellyman's Daughter lands squarely in the middle of an intriguing crossroads between bluegrass, post-rock, folk and soul, managing at the same time to sound not a whole lot like any of those genres.

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